Friday, October 25, 2013

The Elephant Diaries: gentle giants

A couple of days ago,  we were standing under the wet weather shelter out in the field when it started to rain.  Suddenly all the elephants decided that rain was unacceptable, so they all tried to get under the clearly-not-elephant-sized roof and ended up surrounding us with their heads sticking in under the thatch.  I reached out to Keisha, whose trunk was fumbling around my feet,  and gently stroked her face and ears. And she leant towards me, pushing her face against my chest and breathing on my legs through her trunk,  and I could look into her beautiful amber eyes framed by long wiry lashes. 

You never quite get over it. 

Thursday, October 24, 2013

The Elephant Diaries: being heard

"Welcome, where are you?"
"Coming. Nearly there."
"Where? We can't see you."
"I'm on the street."
"Where on the street?!"
"Don't worry, I can see you."

Of course he can see us. We're in the township in Plett, the sun is setting and all around us people are returning from work, and giving us curious looks along the way. I'm wearing a bright green scarf with elephants on it. Brooke is tall and fair-skinned. Liv has curly blonde hair. We don't exactly blend in.

Finally he arrives, gives us hugs and leads us into a big yellow building which we realise is actually a school. He's all dressed up in a tie and suit trousers, and I vaguely wonder if I'm underdressed. He's a slim guy, around 27, with smiling eyes and a shaved head. We go into a small classroom which cheerful but tired (yellow paint flaking from the walls), and a young-looking woman comes in and introduces herself, and Welcome leaves us to go organise something or other, reassuring us he'll be right back. There is an awkward pause.

"So you girls know Welcome from the elephant park?"
"Yep," we say in unison.

Very awkward pause.

"Have you heard of the apostles of Jesus Christ?" she asks pleasantly and thankfully at that moment Welcome reappears and with him are some other well-dressed men who come in and stand in a line at the side of the room. We perch awkwardly on the kids chairs by the door.

Welcome turns to us and says in English "listen first, then you can join in," before beginning a fast-paced speech to the others in Xhosa. He lowers his head and we follow suit nervously, and he murmurs a wave of Xhosa which washes over us and ends with 'amen'. Then he raises his arms, takes a moment to breathe, and begins to sing.

Immediately the others join in, just one female voice to five males, and words that we do not understand flow around the tiny room like a sea current, mingling in harmonies and dipping in and out of tune but always strong, powerful like a punch in the air. Each voice is loud, deep and clear, and the singers sway back and forth and move their feet like the music is rising out of them from their feet. More people slip through the door as the hour ticks past seven and Welcome soundlessly points them to their place in the room - sopranos to the far left, basses to the far right - and they join in and move their bodies powerfully from side to side. The music gets louder and louder as the choir grows, and it dawns on me that I am never, ever going to be able to join in. The notes are complex and foreign and dance on top of each other with an energy I've never seen in any of the stayed English choirs I've experienced.

We recognise some of the guys who work at the park in the boma - who look equally pleased and horrified to see us sitting there when they come in - and we eye each other curiously. I see Patrick, a photographer at the park, with a little daughter clinging to him, singing a beautiful tenor part. The whole room dances and shakes as feet stamp and arms wave. When a song ends suddenly, or if Welcome wants to correct something and stops midway, there is an echo in the room so strong and immediate it's almost violent. We sit enraptured for an hour before the sound disappears in a shock of final notes and we find ourselves shaking hands - with our newly-learnt African handshake - with every member of the choir. The women grin at us warmly and laugh as they grasp our hands and the men smile shyly but genuinely, eyes lowered, and then it's finished and we make our way outside to wait for the taxi, arm in arm with the altos. But I find it hard to concentrate because the air seems very thin and empty without the collision of 25 souls diving over one another in a race to find the perfect sound. So we get in the cab shouting thank-yous and the other volunteers ask us how it was, but I don't know how on earth to explain it. Eventually I settle on 'loud'.

Sunday, October 20, 2013

The Elephant Diaries: a creative space

Visiting a family friend, whose art, studio and creative way of living is eternally inspiring.

































Tuesday, October 15, 2013

The Elephant Diaries: an education


It's the afternoon, and I am sitting with Henrik, nestled beneath the shade of some trees a few meters away from the electric fence that contains Shaka and Clyde, the park's two big male elephants. They are kept separately from the others because Clyde, a rescue case from an abusive circus, is too aggressive for tourists to touch and Shaka keeps him company out here in the orchard. I am noting their activity every two minutes. 

There is silence for a while, and I try to ignore the pressure to say something, especially because it doesn't look like Henrik is even awake - he's slumped in a tire, head leaning back against a tree, eyes barely open. He has a very dark round face, wide nose and sleepy eyes, and he cooly watches me scribble on the clipboard. Finally he starts to make conversation by asking me my age. 

Age is a big topic of contention in the park. All the guides make up their ages and will say three different numbers to the volunteers in a day. They seem to fluctuate from 24 to around 38 - and with their smooth, lineless faces it's hard to tell - but the general consensus is that most are in their 30s. Henrik tells me he is 34. He asks me a few questions about my life, what I'm doing here, where my parents are, etc, and I ask him a few questions about where he lives (the township near by) and how long he's been at the park (8 or 9 years, he's not sure). Shaka and Clyde graze peacefully in the background. 

I become a little more confident and we chat for a while about our lives. I learn he is once-divorced, lives with his girlfriend, has two little boys, one adopted, one from his previous wife. He asks me about my siblings, and I ask him about his. Then the conversation starts to change. 

He slips into stories about his childhood, almost by accident, but he continues to talk in his slow, deep voice. Four children, all from different fathers, all of whom have left or disappeared. His mother working constantly to support them but struggling, his brothers dropping out of school, his sister married off at sixteen. He talks about how he loves his grandmother more than anything in the world, but how sad he is that his son won't know any grandparents. He talks and talks and I listen for half an hour, then an hour. He tells me about how he wants to see his mother in Limpopo, and how he saves up to go every year but can't afford to take his girlfriend, who resents him for it. He talks about how he'd like to take her this year but will struggle to save the money, and throws around figures that make me gulp - not at the expense, but at how my family would spend that in a week. 

He tells me: "It was terrible when I was young. Imagine you go to school and come home and there is no food in the house. You drink water and you go back to school but you can't concentrate. There is never food in the house. Four children and never food."

Then: "You get pocket money for school. Then you come home and there's food everywhere - the fridge is full. Then you can study hard and get an education." And he states it so simply, not at all accusingly but just as if it is a fact he would like me to understand. Shaka and Clyde are fighting in the background, grinding their tusks against one another and whacking each other with their trunks. 

It's very quiet and I don't really know what to say. I haven't written anything in a while, so will have to make up a few figures. 

He tells me he doesn't talk about these things, not to the other guides or to his friends, because they always laugh, or they tell him about their problems. He says he hasn't told anyone in a long, long time. And I wonder why he's telling me. Narcissistically, I think maybe it's because I am a good listener. Maybe because I know South Africa better than the volunteers, perhaps I could try to understand. But in hindsight, I think it's more likely because he knows I can't possibly understand. Because I could never laugh at him or compare my own problems. Maybe because when I leave I will take his story with me and blow away with the wind, off to a very different life so far from poverty or misery. So maybe it just doesn't matter to him if I know his story or not. 

When another volunteer approaches in the distance, come to relieve me of my position, I thank Henrik for telling me all this. He says he'll see me later, and looks out to where Shaka and Clyde move in slow, mindless circles.  

*

I see him again later in the day, out in the field. Thandi is wandering nearby, waving her trunk on the hunt for food, and he shoos her away and smiles at me. He pulls me up by the hand from where I'm sitting, asks me how I am, I say fine, and we exchange a friendly look. A secret between us? Maybe. Understanding? Yes. No. A little. 

A baby step. 


Saturday, October 12, 2013

The Elephant Diaries: the beautiful kids

Today was an incredible day. Today was the day we went to Masizame orphanage and prep school to play with the class of 37 5-year-olds. Daunting, to say the least. Here's what happened, via an email to a friend. 

We got out of the van and immediately they were all clamouring at the fence and running up to us and then when we got out they were hugging us, climbing up our legs and kissing any exposed skin. I actually started crying because it was so overwhelming, these little 5-year-olds hanging off my legs and all chanting "yes! yes!" together, like a mantra. They hung off us, clung to us and ushered us into the classroom, a small room with blue paint chipping off the walls. They were completely wild in there - 38 mad children to one teacher and five baffled volunteers. 

It was anarchy, basically they did whatever they wanted and screamed and fought and drew on the walls, all shouting the few words and sentences they knew of English, but they loved us, always wanting to be close to us. We did some elephant activities and although a lot of it was trying to stop them climbing up us like trees or pulling each others hair out, they really loved the colouring game we gave them and kept pulling at our clothes and hands to help them and talk to them. Then we played a balloon game and duck duck goose, and I would sit on the floor and immediately 6 little bodies would all climb on my lap and fight to burrow into my chest and sit on my knees - even the naughtiest little boys would lean against us or wrap our arms around them - and it was just such a joy to see them enjoy the games and all the attention, and to be able to freely dole out love to these amazing little people. 

There was one little girl who I absolutely loved - I cant remember her name because it was really long and complex and African (as they all were - 6 syllables or more) but she was one of the only ones who really seemed to be concentrating on the learning activity we were doing, just quietly tapping my shoulder and asking me which one was blue, and what was number 5. And she kept just grinning at me all through the games, and when we had to go she just came running up and leapt into my arms and I just hugged her tiny body and she kissed my cheeks and asked when I'd be back. And it was enough to just make me cry for days.


And I will be back. I will be back so so soon.


Friday, October 11, 2013

The Elephant Diaries: Getting down and dirty

Ok, so I meant to write about this on Day 1, but as it turns out, caring for elephants is a pretty steep learning curve, even after caring for drunk teenagers. And also the 6 am starts are killing my soul. So consider this Day 1, delayed by 4 days.

It's very very strange to suddenly notice where you are and think "how the hell did I get here?" It's even stranger when that place is in the middle of nowhere, surrounded by elephants. Needless to say, not a place I've been before. But god, is it amazing.

They have this kind of gravitational pull - yes, ok, perhaps they are completely and totally enormous, but this pull is emotional - where you can be around them for hours and yet as soon as you leave, you want to be back with them. Watching them every day, for hours on end, you start to notice the little things. Like how Keisha likes to be alone. Or how Sally always makes sure baby Thato is safe and well-fed. Or how the young boys, Mashudu and Shungu, playfully fling their trunks at one another and chase each other in circles. You start to recognise small details, like how Thandi has a big wrinkle in her forehead, or how Nandi's skin is marked. And you start to feel that even if these magnificent animals never recognise you, never rest their trunks on your shoulder or turn around at the sound of your voice (or even acknowledge your presence), it's thrilling enough just to be close to them.

There's a lot of mess. You don't quite realise quite how much space they take up, and quite how prepared a facility has to be to house them. From dawn til dusk there are people working to feed them, clean their sleeping areas, make toys for them, cut fruit for them, and so on and so on. But when you're face to face (trunk?) with them, when you can see their deep-set wrinkles and wise brown eyes, hear the gentle flapping of their ears and reach out to touch their thick, muddied skin, all that's left is elephantine adoration.

Friday, October 04, 2013

The 10 People You Meet On The Tube (Bye Bye London)

1. The overweight middle-aged woman in work clothes who takes up both the armrests. She won't look at you or at all acknowledge your presence, only slowly force away your self-worth as she expands into your seat. You try to assert your dominance - bravely edging one elbow onto an inch of the armrest - but she's not having it. Her name tag, which probably says "Loretta, sales" might as well say "Annoy me and risk suffocation between my enormous bosoms".

2. The business man with hairy ears. I don't know what happens. Do they reach a certain status in society and their hair decides to migrate from head to ears? And nose? Sometimes desperately want to yell "WHY IS THERE HAIR IN YOUR EARS?!?! WHY?? WHAT PURPOSE DOES THAT SERVE???" but I can't because they look so damn cuddly.

3. The Camden. If their jeans are so tight they are slowly but surely losing circulation to their feet and they have a tattoo in a really distracting place, they will get on or off at Camden and sit across three seats listening to headphones and nodding emphatically to the music. I have only love for these people. No denying that I listen to wanky headphones with the best of them, and mine come in a case (oh lord) so I can zip and unzip them like the satisfied hipster I am at heart.

4. The occasional Very Attractive Person. We held eye contact for longer than the standard glance, therefore I am now entitled to spend the rest of the journey thinking of names for our children.

5. The person on the phone/talking to someone about something interesting. Make no mistake, I am listening to your conversation. Everyone on the tube is listening to your conversation. We are trapped in a small metal box hurtling through a wormhole underground and I'll be damned if I can't hear why Martha cheated on Ben with Rob.

6. The massive family. I have only sympathy for the woman attempting to drag 462 children through the stations at peak hour. Especially as children always want to lick things in the train, like the floor or the elderly.

7. The very posh people. Note: everyone in the world giggles inwardly if you say 'yars' instead of 'yes'.

8. The old lady who is actually kind of crazy. Oh you brought your knitting on the tube with you, that's sweet, you look around 150 but you're still smiling and that makes me happy. Ok, you haven't broken eye contact with me for about a minute now. Two minutes. This is going to be a long journey.

9. The tourists. I know, I know, technically I am one, but at least I don't say Li-cester Square.

10. The cynical teenager hovering by the doors, sweating in the peak hour stuffiness, trying not to fall over, reading and rereading the adverts above the seats ("If you're happy to go there, we're happy to insure you!") and secretly kind of enjoying the whole experience of travelling through the veins of such a vast and ever changing city.

Tuesday, October 01, 2013

My aunt, on life, on the Jubilee line to Blackfriars

"People say 'life is short', I don't like that. Because what is 'short'? It's relative. That's why I always think, life is precious. And that's why you shouldn't take yourself too seriously. At least, that is how I choose to live my life."